Please also visit my other website at:

New England Simple Living 

 

Art Links

About The Artist

Email

Home

 

Art For Sale - Saint Michael Miniature Pen and Ink Drawings

 

Auctions

 

 

The Gallery

including:

bullet

Our Lady of Guadalupe, stippled ink on genuine sheep skin, a (finished) Work In Progress

 

As war escalates around the world, please remember each day to pray for Peace.

 

 

 

Horticulture

including:

bullet

African violet and Gesneriad Information Pages

bullet

Cacti Information Pages

bullet

Geranium Information Pages

bullet

Orchid Information Pages

bullet

Contacts and Suppliers

bullet

Plant Culture

bullet

Guest Speakers

 

Botany Online

Horticulture Magazine Online

 

 

 

The Society of Illustrators

Guild of Natural Science Illustrators, Inc.

The Society of Tempera Painters

 

Priests For Life

 

Marians Of The Immaculate Conception

 

Catholic Relief Services

 

EWTN Catholic Television

 

Iconography

 

 

 

 

 

 

 

Up GuestFran GuestFred GuestGary Guest Gary2 GuestJanet GuestJeff GuestKenny GuestVirginia GuestNancy

Granger’s Grand Growing

 by 

Virginia Saigeon, 

Owner of Hillside Violets, 1970 to 1983


Granger’s 'Crystallaire' by Wayne Discher
Crystallaire (4295) 02/21/81 (Eyerdom) Double medium blue star/white edge. Plain, pointed. Large




Granger’s Grand Growing !

African violets are easy to buy, easy to grow and oh so easy to love.
There are modern hybrids with foliage as colorful as the flowers – green flushed with pink and white, cream and even yellow. And the flowers – well! Pinwheels, stripes, speckles, thumb-prints, singles, semi-doubles, doubles, pansies, stars and bells. Hybridizers have produced near red blooms and are working on yellow. Is there an end in sight? Perhaps. But I’m going to talk about the beginning – or, more accurately, the middle, the 60’s and 70’s - Granger Gardens and, as far as I’m concerned, the A#1, top of the line, king of the hybridizers – Hugh Eyerdom.

Hugh brought us the first glorious glistening whites, the grandest pale blues, the finest white edges and so many other characteristics we take for granted in the violets we see today.
I won’t pretend to know Hugh any better than any of his other thousand customers – but I know his plants.
My favorites include those sparkling white miracles Eternal Snow, Sammye Ballard, Starshine, Miriam Steele, Polaris and Blizzard - glorious huge heads of bloom standing tall on sturdy stalks over well-behaved satiny foliage. And they said white flowers faded and dropped. He gave us the glittery blue edged whites of Swiss Ballet, Monaco and Spring Deb: the red edged Rose Frost, Festival and Venetian Lace.
Hugh gave us the clear blues. I doubt there will ever be a clearer pale blue than Wonderland, so aptly named with its big wondrous clear blue stars. Then there’s the beautiful clear blue of Crystallaire, darker than Wonderland and fuller with a glistening white edge. His blues are without parallel – Ming Blue, Millie Blaire, Royalaire, Jim Dandy, Delft Imperial, Seafoam and Lullaby.
He gave us so many dazzling pinks – Camelot Pink, Peach Glo, Chanticleer, Pink Elegance, Cotillion and the beautiful lavender-purple of Electra and Roberta.


Granger’s 'Camelot Pink' by Wayne Discher
Camelot Pink (4293) 2/21/81 (Eyerdom) Double light-medium pink/white fluted edge. Plain. Large


Hugh gave us Garnet Elf and Firebird – vibrant reds with wide white edges. He gave us Carnival, Peppermint, Majestic, Cabaret, Crimson Frost, and Valencia, the first chimera. So many of his are classic plants – Fashionaire, Sylvan Blue, Carefree, Starburst, Faith, and one of my favorites, the huge double white with the deep purple edge – Serenity.

Hugh gave us plants that have stood the test of time, blooming true from a leaf cutting even after all these years. He gave us show winner after show winner – plants so sturdy and easily grown that a novice could walk away with a blue ribbon. No prima donnas here. He grew them in dirt – not the fancy concocted soil-less mixes we fuss over. Dirt - scraped from his fields. He grew them in deep pots not the tubs we scour the shelves to find. He didn’t cosset them or molly-coddle them. He didn’t have to.
When you brought Hugh’s plants home you knocked them out of their pots, washed off their root balls and repotted them in a fancy soil-less mix. At least I did. The soil he grew them in would set up like concrete away from his greenhouse. Did the plants mind all that trauma and fuss? Not a bit. They kept growing away as if nothing had happened. Hugh’s plants bloom continuously, their foliage rarely needs training. Put a leaf down and you’ll soon have 12 or 15 babies.


Granger’s 'Carnival' by Wayne Discher
Carnival (4298) 02/21/81 (Eyerdom) Semidouble dark red-orchid/some white. Ruffled. Large

If you want to see what an African violet can be at its best – hunt down the old Granger hybrids. They are well worth the effort.
I learned much about violets from that kind and wise man – I learned to relax, leave them be most of the time, have fun with them, enjoy them and love them. He did.


A note from Laurie: I would like to thank Wayne Discher for his beautiful photographs of Granger African Violets.

AV International

Violet Reflections

AVSA


Hit Counter

 

Home  Gallery  Horticulture

All images and text, including artwork and photographs (except where noted ) on this site are  copyright 2001 - 2007 laeom (Laurie A.E. O'Meara) All Rights Reserved and their use or copying is not allowed without prior written permission.  Thank you. :)  Images and text that are marked courtesy of, used with permission, "by", or other notation are copyright of the respective person and are also protected. Click here for more information.

 

Please note:  The domain name of my former website was laeom.com .  It is my understanding that a corporation has now taken that domain name.  I am no longer affiliated with the domain name laeom.com.